'90s (Jack
February 2003)
BRISTOL
3D: When we were making Blue Lines it was the beginning of that post-Thatcher
thing. Everyone involved in making those records came from totally different
ethnic backgrounds: Jamaican, Barbadian, half-Italian for me, and English. There
was never this kind of British feel to it. What always struck me about most
British music in hip hop and rock was there was this weird kind of lean to Americanism
in everyone's accents and voices and we never had the urge to do that - we always
wanted to sound like ourselves.
BLUR VS OASIS
3D: I just didn't understand why
a couple of bands suddenly became the barometer for the whole music scene. For
us and for other bands who weren't so interested, it became maybe a little more
difficult to make your prescence felt because you had to be part of thi sgreat
battle, take sides, do you know what I mean? And you weren't even fucking interested
in the first place, you know, so you just got on with it and waited for it to
abate.
For us, and for other bands who were living in Bristol, I think the last ten
years were the most creative time of our lives really.
MUSIC/BRITAIN NOW?
3D: It would be easy to say it's
quite American, but I don;t think that's quite true...I feel it's quite an anonymous
place city to coty. Everything's become so "pop" on on elevel and
so calculated which has worked in certain areas of the music business, this
whole karaoke build-you-own-band thing.